The political, religious, and ideological monuments in photographer Fabrice Fouillet’s series “Colosses” stagger with their extreme dimensions. But Fouillet is not concerned with hugeness for its own sake. He’s more interested in how oversized statues, despite their extraordinary proportions, fit in the landscape around them and, as he writes in LensCulture, the reasons for the “human-sized desire behind these gigantic declarations.”
-Slate
